About Me
I have had a love of landscape, geology, fauna and flora from childhood. Over the years it has always been a passion which evolved has from being an escape from work to a full time obsession.
I have some favourite places which I visit metronomically at the same time each year so that I can intimately understand the light and conditions leading to a deeper bond with the landscape and its moods. My best work comes once I have a connection with place.
I have been an active landscape and wildlife photographer for nearly ½ a century with a wealth of experience with film and digital technology including film up to 10x8 and digital from sub full frame to medium format in both mirrorless and technical cameras.
My landscape work in recent years has been largely project based with repeated visits to a location building a deep understanding and connection with the cycles of the land, weather and tides if coastal. I have a love of the weather in all its forms and this is a significant part of what excites me artistically. If I had to define my photographic style then my ambition is to capture the quiet light, the introspective beauty of natural landscapes, with a strong focus on mood, texture, and compositional harmony.
I am an enthusiastic exponent of the ‘less is more’ when it comes to lenses and equipment. I prefer primes lenses to zooms although in the Scottish landscape a zoom can have distinct advantages! Today and for many years you can find me out with equivalent of 24/35/85mm 3 prime kit in my bag and I do feel my best work comes with that ability to foresee how the landscape will look and what decisions you have to make on the ground to optimise the composition.
I have published work in physical (Outdoor Photography) and digital magazines (On Landscape) and galleries including the prestigious Joe Cornish gallery where I had a significant portfolio prior to Covid. I worked with Nidderdale AONB providing them with publicity and marketing material over several years. I have a steady flow of print and card sales with a calendar produced for several years.
I have skills and experience using Sony cameras & lenses, Fuji and Hasselblad digital medium format and technical cameras from Arca from digital platforms through to 10x8 film. Filter usage is Lee and Kase. I use Gitzo and RRS tripods, levelling heads and heads from RRS and Arca Swiss. Post Processing is principally Adobe Lightroom.
Although I do not actively market my work I have provided prints if something catches the eye. Just ask :-)
I had an epiphany back in the late 90s when I attended a lecture at Robert White in Poole with firstly Joe Cornish and then David Ward who showed what I had failed to understand on how important movements are to Landscape Photography.
A long association with view cameras from Ebony, Arca (and briefly Phillips in 10x8) has left me maturing in the digital age with an Arca Universalis and digital back of one type or another. Initially I used the Fuji GFX series as a digital back but have now settled on a Hasselblad CFV100c as the most suitable option.
A small set of lenses from Rodenstock (35,55 and 90) is where I have happily settled after meandering round offerings from Pentax 645 and Contax .
It isn't always practical (and I am too lazy) to carry around or use a view camera based set up so for these times I have access to Sony A1 (previously A7x of different flavours) with some prime lenses or a Hasselblad X2d/907x 100C and 28/38/55/90 primes.
For many years my interest in photography of the flora and fauna I encountered while out in the landscape was limited to butterflies, dragonflies and orchids. Perhaps this was to do with the cost of entry to photographing birds !
Nevertheless in recent years I have spent more and more time photographing owls, predominantly Barn and Short Eared. I think this was largely driven by accessibility in that it was possible to see all species of UK resident owls within a couple of miles of Pateley Bridge and it has a booming population making sightings regular and predictable.
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There is no perfect camera bag. I think I change and have more bags than underwear.. It is easiest to say where I have landed rather than the journey I have been on with camera bags. The combination of access, comfort, size and protection for gear is difficult to balance.
I use Atrack bags from Ortlieb with Tenba BYOB inserts for my large format gear, NYA-EVO for mixed trip work in 36 and 60l guises
Tripods are easier... RRS or Gitzo series 4 or 5 tripods with Arca geared heads - either D4 or Core Leveller 75. RRS or Kirk L brackets. I use RRS levelling heads always.
I have filter sets from Lee but most recently from Kase in the K9 or K100 Slim versions. I got a bit fed up with the colour change over time of the Lee filters but it is probably still my favoured system.
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